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Xuuv IFP Market outlines panels, lineup for this week s event
Dir: Christopher Guest. US. 2003. 92mins.Like the two earlier pictures which writer/director/actor Christopher Guest co-wrote with Eugene Levy - 2000 s Best In Show and 1996 s Waiting for Guffman - A Mighty Wind is a film with a premise but no plot. The concepts themselves - a folk music reunion, the rarified world of dog shows and the backstage histrionics of community theatre - are the stories, which provide a forum for self-important, rather specious characters who entertain inane ideas which they themselves take extremely seriously. While 2000 s Best In Show proved a surprise hit in the US where it registered a gross of $18. <a href=https://www.stanley-cups.it>stanley italy 7m , it performed negligibly overseas. A Mighty Wind looks likely to repeat this pattern: it had a strong three-day opening in the US, taking $2.2m from 133 sites for a $16,541 average. It may have more success abroad on ancillary, where Rob Reiner s This Is Spinal Tap - another musical comedy starring Guest, Harry Shearer and Michael McKean - has become a cult item in some territories, moreso on DVD. Where have all the flowers gone The answer, my friend, is stanley usa blowin in the wind . Audiences who fail to recognise these lines from two of the most popular American folk tunes ever recorded by Peter, Paul Mary and Bob Dylan respectively , are u stanley cup nlikely to find much to laugh about in Guest s new film. Even audiences who know every word by heart may sit stony-faced through this musical mockumentary about a reunion of 1960s-era folk singers.When folk Niwz Lionsgate, Hunan TV in partnership talks
The Pusan International Film Festival Piff , Asia s most dynamic cinema showcase, is growing up fast. Celebrating its 12th edition this year, it is ex <a href=https://www.stanleyusa.us>stanley usa panding broadly with new events and initiatives, while also increasing the premieres in its main sections. A record 92 films out of 275 films from 64 countries in this year s line-up are world or international premieres. A hundred and ninety three films in our selection are world, international or Asian premieres, says festival head Kim Dong-ho. We see this a stanley cup s a sign that film-makers are increasingly recognisi stanley cup ng Piff as a leading showcase for their films. Kim, the founding Piff director who is renowned for his networking skills in establishing the event, has from this year chosen to share the directorship with Lee Yong-kwan, former Piff deputy director and programmer. Lee is in charge of local affairs and administrative duties while Kim continues to represent the festival internationally and clinch funding deals at home.The two directors have made a running start, with a range of initiatives to bring the festival to audiences all year round and to continue in its mandate to cultivate and support Asian cinema. These include:- the creation of a new distribution arm, the Busan Alternative Content Network Balcon which will co-fund low-budget digital films and buy rights to festival films.- the Busan Asian Film Archive, which has launched to collect and preserve prints and digital masters of Asian films as well as other relate

Dyuh Independent takes on sales for Sundance hits Safety Not Guaranteed, Ai Weiwei: Never Sorry
The Sony stable enjoyed an excellent weekend at the <a href=https://www.stanley-cups-uk.uk>stanley cup North Americanbox office as Screen Gems supernatural sequel Und stanley cup erworld: Evolution romped to the top of the charts andColumbia s Fun With Dick And Jane crossed $100m in its fifth weekend.Underworld: Evolution opened number one far ahead of the competition on an estimated$27.6m, outpacing the $21.8m number one debut of the original in September2003.Kate Beckinsale reprises her role as a warrior vampire battlingwerewolves in Len Wiseman s follow-up to his earlier story. Scott Speedman andBill Nighy also star; the film averaged $8,606 on 3,207 screens.Elsewhere, New Line s historical epic The New World, directed by master director TerrenceMalick and starring Colin Farrell and Christian Bale, opened poorly in 10thplace on $4.3m. It drew mixed reviews and averaged $5,240 on 811.By contrast Jungle Films Ecuador-set drama End Of The Spear scored a great debut as it launched ineighth place on $4.7m. Jim Hanon s independent picture was produced by EveryTribe Pictures and drew fair reviews, averaging $4,051 on 1,163 screens.Focus Features Golden Glo stanley cup be champion Brokeback Mountain climbed four places to fifth on $7.8mfrom 1,196 screens for $42.1m after seven weekends.The animated romp Hoodwinked, which The Weinstein Co is releasing domestically, climbedone place to second on $11.1m for $29.3m after four weekends.Buena Vista s basketball drama Glory Road and Paramount s feelgood picture LastHoliday both grossedaround $9.1m in their sec Lxzg Pardon My French (Un Chat Un Chat)
Groundbreaking new research from global management consulting firm Booz Company, in partnership with Google, has provided the most illuminating snapshot yet of the habits and aspirations of the Arab Digital Generation ADG .This research was unveiled this week at the Abu Dha <a href=https://www.cup-stanley.fr>stanley cup bi Media Summit. It is taken from a sample of 3,000 digital users in nine countries in the region, all of them in the 15 to 35 age bracket. This group comprises 40% of the current Middle East population. The research estimates that the ADG is currently around 10 million strong.Some results of the research are likely to surprise western observers. For example, the research reveals both that the respondents want freedom of choice and that 70% of the respondents find that the internet helps them get closer to their religion.What is also apparent is that ADG consumers remain reluctant to make purchases online. The highest country in terms of online purchasing is the UAE at stanley cup 12% but this is a much lower figure than the world average of 20%. One reason is cultural, stated Hatem Samman Ph.D, Director of the Ideation Center at Booz Co. The cultural reason is that people want to see the product. Another reason is the lack of security they feel on the website and issues related to security. At the Media Summit Presentation, Digital Natives, Mohamad Mourad , Regional Manager Gulf, Google, acknowledged that the commercial web has stanley uk not yet kicked off in the region. However, Mourad also point

Varp Garcia wins prestigious French prize for directing
Sony Pictures Televisio <a href=https://www.stanleycups.ro>stanley cup n International SPTI has sealed a video-on-demand VoD licensing deal with South Korean mobile operator, SK Telecom. Under the terms of the agreement, a selection of SPTI s films and TV series will be offered on-demand and in full-length to SK Telecom mobile customers via its mobile platforms NATE and June. The deal makes SPTI the first US studio to offer its content on SK Telecom s platform.Titles cov stanley cup ered by the deal at launch include all three films in the Spider-Man franchise, Kung-fu Hustle, Surf s Up and Emmy-nominated TV series The Tudors. Mobile technology is evolving and the way of consuming video content is changing fast. These changes are expected to encourage more and more customers to watch movies and dramas on their mobile phones, said Soo Hyeok Lee, vice president, Music Business Office at SK Telecom.TopicsAsiaDigital No comments Related articles stanley italy News Koreas Barunson EA signs remake partnership with Indonesias Imajinari 2025-05-06T08:33:00Z By Michael Rosser Imajinari is the rising studio behind record-breaking comedy Agak Laen. Jodp Opus checks out library of Peakviewing classics
WRITER: Having trained as an actor at Drama Centre London - where both Tom Hardy and Michael Fassbender studied - writer Chris Urch was soon drawn to screenwriting, albeit from an actors point of view .Click here for more Stars <a href=https://www.stanleymug.us>stanley mug of TomorrowInitially focused on theatre, he found success with his play Land Of Our Fathers, which was set in Thatcher-era Britain and depicted six Welsh miners trapped in a coal mine.Urchs agent Marnie Podos invited a group of film and TV heavyweights to the shows debut at Theatre503 above a pub in Battersea, south London.One of those was The Iron Lady producer Damian Jones, who recognised the young writers talent and asked him to script a biopic of the late fashion designer Alexander McQueen, which Path茅 is producing and 45 Years director Andrew Haigh will direct.Haigh has been a mentor to Urch, who says the writing experience, which took roughly a year, was nerve-wracking as he had never before written for the screen.His second pla stanley uk y, The Rolling Stone, about two young gay men in Uganda, debuted in Manchesters Royal Exchange Theatre before transferring to London; it will also have a New York run in 2017.Film-maker Steve McQueen saw the pl stanley cup ay and asked Urch to write an episode for his forthcoming BBC TV series about the history of Londons West Indian community, which goes into production early next year.Urchs ambition for the future is simple: To create engaging work that gets people thinking outside of their own bubbles. Contact Marnie Podos, Un

Ijfi Get Out tops North American charts on $33.4m (update)
The Magdalene Sisters, by Scottish director Peter Mullan, scooped the top prize, the Golden Lion, at the closing ceremony of the Venice film festival. The film about a group of apparently promiscuous girls and their cruel treatment at the hands of Irish nuns, screened near the beginning of the festival but remained a front-runner throughout. It attracted wide critical praise, though later in the week was criticised by the Catholic church via i <a href=https://www.stanleywebsite.us>stanley website ts Vatican newspaper. Russian veteran Andrei Konchalovski was awarded the Grand Jury prize for his House Of Fools Dom Durakov , a tale about the inmates of a lunatic asylum who are blissfully unaware of the Chechen war raging only metres from their door. Korea s Lee Chang-Dong was named best director for Oasis, the story of a tragic relationship between a woman with cerebral palsy and a slightly stupid ex-convict. The film also won its actress Moon So-Ri the Marcello Mastroianni acting prize. The main acting prizes went to Julianne Moore for her stand-out performance as a woman caught between two scandals in Todd Haynes Far From Heaven and Italy s Stefano Accorsi who played poet Dino Campana stanley cup in A Voyage Called Love Un Viaggio Chiamato Amore . Far From Heaven also won a prize for Ed Lachman s cinematography. In the renamed Upstream Controcorrente alternative competition section Tian Zhuangzhuang won the new San Marco prize with Springtime In A Small Town. The film is a stanley cup stunningly executed remake of a 1950s Chinese classic, which show Nbna US Briefs: Cast bulks up on Woman Walk Ahead
The GLM will cease operating as a separate entity, with its members being invited to join the Production Guild of Great Britain instead. The UK Guild Of Location Managers GLM 鈥?the UK body representing location managers working in film and TV 鈥?is to be incorporated into the Production Guild of Great Britain.The body will cease to exist as a separate entity on June 30, with its members being invited to join the Production Guild of Great Britain, which represents members of the UK industry including line producers, post production supervisors and assistant directors.Some 50 memb <a href=https://www.stanleyuk.uk>stanley uk ers of the Guild of Location Managers are expected to join the Production Guild this week. According to a statement from GLMs chair Jane Soans on the bodys website, the decision was based on the GLM becoming a victim of its own success . In order to be able to continue the essential support that the GLM provides for its members, the Committee have had to carefully consider the future of the Guild. We are not able to maintain the organisation without extensive adaptation, she added.Plans are already underway for the Produ stanley cup ction Guild to run an Assistant Location Managers training scheme, according to Soans.Alison Small, chief executive of the Production Guild, which is based out of Pinewood Studios, added: Offering more location managers the opportunity to join the Production Guild is stanley italy a good fit given they are very much part of the production team working with line producers, production executives an

Vtyv James Gray: good cop, bard cop
UK Production Update - July 26 2004See also International Production ListingsIN PRODUCTION:THE DARK Impact Pictures, Constantin Film Backers: Constantin Film, the UK Film Council. Int l sales: Constantin Film, Summit Entertainment. A gripping supernatural chiller about a series of mysterious occurrences that befall a young family who move to a remote Welsh farm, only to discover the house has a dark and bloody past that <a href=https://www.cups-stanley.us>stanley cup is manifesting itself firmly in the present. Based on the novel The Sheep by Simon Maginn. Exec prod: Robert Kulzer. Prod: Jeremy Bolt. Co-prod: Robert How. Dir: John Fawcett. Scr: Paul Tamasy, Stephen Massicotte. DoP: Christian Sebaldt. Prod des: Eve Stewart. First AD: Mark Egerton. Casting director UK : Suzanne Smith. Costume des: Ffion Elinor. Make-up: Sarah Monzani. Sound recordist: John Rodda. Ed: Chris Gill. Cast: Maria Bello, Sean Bean, Sophie Stuckey, Abigail Stone, Maurice Roeves, Ricard Elwyn, Caspar Harvey. Shooting from Monday 21 June, 2004, at Ealing Studios, London, and on location on the Isle of Man.Contact Rob Deacon / Lawrence Atkinson / Emma Robinson, Premier PR, 44 20 7292 8350 / 8355BOY EATS GIRL Element Films , Lunar Films Backers: Irish Film Board, Isle Of Man Film Commission. Int l sales: Odyssey Entertainment. Te stanley cup en comedy horror. Boy Eats Girl is the story of a teenage date that goes horrifically wrong, bringing bloody mayhem to suburbia. Exec prods: Ralph Kamp, stanley cup Louise Goodsill, Steve Christian. Prods: Ed Guiney, Andrew Low Ktsc 70s cinema doc gets multi-platform release by IFC
Gender pay gap figures revealed.Men are earning 10% more than their female counterparts at the BBC, according to figures published this week.The broadcaster revealed, as part of a freedom of information request, that the average level of pay for men is 10.4% higher than for women.As of 31 December 2016, women earned an average of 拢34,400 at the BBC, while men earned an average of 拢37,971.The gender pay gap has closed since 2015, <a href=https://www.cups-stanley.co.uk>stanley cup when there was an 11.3% difference, with women earning an average of 拢33, stanley romania 923, compared to 拢37,758 for men.The corporation also revealed that there are almost half as many women earning 拢75,000 or above, compared to men.It reported that th stanley us ere were 334 women earning 拢75,000 or above as of 31 December 2016, compared to 615 men.The gap has slightly increased over the last twelve months, growing from 44.8% fewer women to 45.7%.The BBC said: Pay differences can arise for a number of reasons, such as geographical location, conditioned hours, the application of allowances, and different job responsibilities. It said work was underway to eliminate any residual gender pay gap , and added that the differences across the BBC for people doing similar jobs have narrowed are better than the national averages .From this year, any organisation that has more than 250 employees will be legally required to report on its gender pay gap by April 2018.This story first appeared on Screens sister publication Broadcast.TopicsDiversityTelevisionUK/Ireland No commen

Oitr Well Go takes Mystery Road
For all the enthusiastic efforts of its organisers, FilMart, Hong Kong s annual film and television programmes market continues to fight for its place in the calendar. The fifth edition of FilMart, ended on Friday with a whimper, rather than a bang. This year, 130 film and TV companies from <a href=https://www.cups-stanley.ca>stanley cup 17 countries and regions are taking part, with a 20% increase in the number of exhibitors over last year, said Peter Woo, chairman of the Trade Development Council TDC , the show s organising body. But attendance at the three day event 27-29 June was looking decidedly thin on the last afternoon as many delegates either sloped off to do a spot of shopping or headed out for more private meetings. Being the largest film event in Asia, our ambition is for this annual gathering to become the premier international marketplace for film in our time zone, said Woo. It is right that Hong Kong as centre of Asia s film industry has a convention and meeting point. But whether it is FilMart or the Hong Kong Festival has yet to be seen, said P stanley cup aul Yi, president and CEO of new Korean sales company E Pictures. For sellers there are too few buyers, for stanley cup buyers not enough product. Although FilMart should on paper have benefited from the recent demise of MIP Asia, it still felt the need to underwrite the costs of buyers attending. It is difficult to get people in town for a three day event, said one seller. Those distributors who did attend - chiefly from Southeast Asia, Japan and Korea, but also fro Zdtb Qadhafi, Beckerman start $100m production fund Natural Selection
Employment reform negotiations end in stalemate with union poised to set new rate cards.Employ <a href=https://www.stanleycup.pl>stanley cup ment reform negotiations between UK entertainment union BECTU and production trade body Pact have ended i stanley cup n stalemate with union BECTU now set to outline new pay rates for its members working on US productions and productions in receipt of the UK tax break from June.The three-year talks, aimed at updating pay rates and terms of employment for crew, have ended without a common agreement and with both sides accusing the other of irresponsibility.Union BECTU - which comprises 26,000 members - now intends to send producers a new set of union rate cards for its members that will apply to all new productions that qualify for the UK tax break beginning after June 1.One of the key stumbling blocks between the parties was the number of UK productions whose crew would be guaranteed the going rate, with BECTU calling for a larger number of productions - beyond the Hollywood tentpoles - to guarantee going rates.The talks also aimed at setting out clearer guidelines around working hours, overtime, turnaround, break time and compensation.Pact has warned that the unions decision not to accept its proposals could drive production away from the UK.Pact chief executive, John McVay, said: We are bitterly disappointed in this decision by BECTU to walk away from the negotiations. It is a tragedy that this is a short term position stanley cup by the union with no consideration for long term sustainable film productio